Anna Goldin, the Last Witch

The narrative of Anna Goldin, the Last Witch unfolds like this: A native of Sennwald, Anna Göldi arrived in Glarus in 1765. For seventeen years, she worked as a maidservant for Johann Jakob Tschudi, a physician. Tschudi reported her for having put needles in the bread and milk of one of his daughters, apparently through supernatural means. Göldi at first escaped arrest, but the authorities of the Canton of Glarus advertised a reward for her capture in the Zürcher Zeitung on February 9, 1782. Göldi was arrested and under torture, admitted to entering in a pact with the Devil, who had appeared to her as a black dog. She withdrew her confession after the torture ended, but was sentenced on June 18, 1782 to execution by decapitation. The charges were officially of "poisoning" rather than witchcraft, even though the law at the time did not impose the death penalty for non-lethal poisoning.

The pacing rewards patient viewers, layering small details that pay off later. Themes of ambition, loyalty, and consequence run throughout. For a frame-by-frame breakdown, the dedicated Wikipedia entry and IMDb trivia pages are excellent companions.

Anna Goldin, the Last Witch currently holds a 6.3/10 audience score based on 3 ratings, a solid mark that reflects how strongly it connects with its target audience. For a fuller picture, cross-reference scores on IMDb, Rotten Tomatoes, and Metacritic before deciding.

Critics and casual viewers largely agree on its highs, even when they split on the finale.

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Anna Goldin, the Last Witch is anchored by Cornelia Kempers, Luca Kurt, Rüdiger Vogler, and Ursula Andermatt, working under the direction of Gertrud Pinkus. The chemistry between the leads is one of the production's quiet strengths.

The script comes from Eveline Hasler and Stephan Portmann, whose writing keeps the dialogue sharp. You can trace the full credits and filmographies on IMDb and TMDB.

The case for Anna Goldin, the Last Witch comes down to a few things it does better than its peers. The world-building feels lived-in, the stakes stay personal, and the payoff respects your time.

At roughly 105 minutes, it respects your schedule while still going deep. Communities on Rotten Tomatoes and Metacritic keep the conversation alive years after release.

If history, drama, tv movie, and horror is your lane, Anna Goldin, the Last Witch is close to essential viewing. Give it a fair shot and judge for yourself — it rewards an open mind. Start streaming now and join the conversation in the comments.